Cinescope godzilla manual#
Cinescope godzilla series#

New technologies in the last century and a half have changed how we as a species can visualise and remember our lives, starting with a particular format we’re all rather fond of. Kon’s premise does not even need to leave the mortal dominion, for he posits that we already have these self-enclosed collections of life, memories, dreams, desires, and everything in between, available for repeated playback right here on earth. In his own typically mind-bending way, Koreeda’s countryman Satoshi Kon tackles similar thematic territory in Millennium Actress, for my money the most profound of his animated features. What happens to the memories of a life once it reaches its closure? The total sum of its events, its encounters, its lost loves, where do they all go once consciousness switches off? Do they vanish in the ether, transformed into invisible energy? Or is there another realm, where they might continue to exist in some format? Think of Hirokazu Koreeda’s Afterlife, where life after death consists of a bureaucratic attempt to recreate and store one’s memories into some vast video databank.

Cinescope godzilla series#

Though he made only four features and one influential series ( Paranoia Agent), his legacy has developed a cult status after his premature death and he has been a direct influence upon the live-action films of Christopher Nolan and Darren Aronofsky, among others.Ĭollaborators: Sadayuki Murai (writer), Masao Maruyama (producer), Susumu Hirasawa (composer).

Anchoring them are complex but nonetheless accessible narratives, usually centred on female protagonists facing some sort of quest, and mixing genre elements from fantasy, psychological thriller and science-fiction. Traits: After starting out as a manga artist and animator on other filmmakers’ projects, Kon established himself from the late 1990s as one of the most imaginative creators of dizzyingly multi-layered animations, typically trompe-l’oeil films which dissolve the lines between fiction, dream, memory, imagination, and reality. Movement: Japanese anime, art-house animation. In animation, the audience understands this momentum.”

“If I had a chance to edit live action, it would be much too fast for audiences to follow. Which is pretty much what we live in today.“ The end result of which is soberingly bland reality. Use an application like Image Capture to pull these formats directly from your device.“ Things like imagination and one’s willingness to believe in the abnormal have all but been eliminated from our daily lives for all intents and purposes. *Note: iOS does not natively handle TIFF or RAW files.

Cinescope godzilla manual#

Four theme colors, manual control sensitivity adjustment, and alignment grid.

Shoot in either landscape or portrait mode using any lens supported by your device.

Swipe left or right on the Aspect Ratio button to quickly change aspect ratios.

Swipe left or right on the Camera Function button to quickly move between photo, video, and slow-motion.

Format media for Instagram with additional color matte options.

Shake (or tap Lock Icon) to return to manual control.

Auto-adjust and fix to point of interest: Tap screen.

Capture in low, medium, and high-contrast black & white.

Create and save your own custom aspect ratios.

Capture using industry-standard aspect ratios.

Capture in various resolutions and frame rates, including 240fps.

Capture with video stabilization (for resolutions that support it).

Capture at 60, 30, 24 fps (based on selected resolution).

Capture in resolutions supported by your device.

Save in either compressed (JPEG) or uncompressed (TIFF*) format.

Crop your media or optimize for Instagram with mattes colors based on the color palette of your image. Shoot high resolution video in various aspect ratios and at various frame rates. Swipe the screen using one or two fingers to quickly tweak focus, exposure, tint, and temperature to create the perfect atmospheric mood. Capture your vision with industry-standard aspect ratios, or create and save your own. Cinescope version 2.5 is a filmmaker's best friend.